Total Number of DVDs: 312
Last Updated: 26 May 2008

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The Last Castle

Director: Rod Lurie
Starring: Robert Redford, James Gandolfini, Mark Ruffalo, Steve Burton, Delroy Lindo
Genre: Action & Adventure
Rated: R
My Rating:
IMDB Rating: 6.4 (12,324 votes)
Duration: 133
Release: Mar 2002
# of Discs: 1
UPC: 9780783267470
Purchased On:
Summary: "The Last Castle" rides high on a wave of American patriotism, respectful of military service and protocol, and primed to ignite anyone's passion for justice against corrupted ideals. This intense prison drama begins when a court-martialed three-star general (Robert Redford) is sentenced to military prison for defying a presidential command. The prison's warden (James Gandolfini) is a jealous martinet who's never seen combat, and when the jailed general seizes command of the prison to protest the warden's abuse of power, "The Last Castle" erupts toward a classic showdown between integrity and cowardice. Former critic and West Point graduate Rod Lurie ("The Contender") directs this intimate battle with manipulative skill, appealing more to emotions than intelligence, but his stellar cast keeps the action on track, and a potent script returns flag-waving to its rightful place of honor. "--Jeff Shannon"


 

The Last King of Scotland

Director: Kevin Macdonald
Starring: Forest Whitaker, James McAvoy, Kerry Washington, Gillian Anderson, Simon McBurney
Genre: Drama
Rated: R
My Rating:
IMDB Rating: 7.8 (34,138 votes)
Duration: 123
Release: Apr 2007
# of Discs: 1
UPC: 0024543407249
Purchased On: 21 May 2008
Summary:
As the evil Ugandan dictator Idi Amin, Forest Whitaker gives an unforgettable performance in "The Last King of Scotland". Powerfully illustrating the terrible truth that absolute power corrupts absolutely, this fictionalized chronicle of Amin's rise and fall is based on the acclaimed novel by Giles Foden, in which Amin's despotic reign of terror is viewed through the eyes of Nicholas Garrigan (James McAvoy), a Scottish doctor who arrives in Uganda in the early 1970s to serve as Amin's personal physician. His outsider's perspective causes him to be initially impressed by Amin's calculated rise to power, but as the story progresses--and as Whitaker's award-worthy performance grows increasingly monstrous--"The Last King of Scotland" turns into a pointed examination of how independent Uganda (a British colony until 1962) became a breeding ground for Amin's genocidal tyranny. As Whitaker plays him, Amin is both seductive and horribly destructive--sometimes in the same breath--and McAvoy effectively conveys the tragic cost of his character's naiveté, which grows increasingly prone to exploitation. As directed by Kevin Macdonald (who made the riveting semi-documentary "Into the Void"), this potent cautionary tale my prompt some viewers to check out Barbet Schroeder's equally revealing documentary "General Idi Amin Dada", an essential source for much of this film's authentic detail. "--Jeff Shannon"


 

The Last Starfighter

Director: Nick Castle
Starring: Kay E. Kuter, Dan Mason, Lance Guest, Dan O'Herlihy, Catherine Mary Stewart
Genre: Science Fiction & Fantasy
Rated: PG
My Rating:
IMDB Rating: 6.3 (6,933 votes)
Duration: 101
Release: Jun 1999
# of Discs: 1
UPC: 9780783230566
Purchased On:
Summary: At the time of its original release in 1984, this modestly budgeted sci-fi excursion had the distinction of offering some of the first examples of purely computer-generated animation, an apt (and frugal) special-effects solution for a movie with a plot line rooted in computer games. Both the computer-generated visuals and the arcade game now look quaint, but writer-director Nick Castle's affable, good- hearted adventure holds up nicely, thanks to a clever premise--the title game is actually a test for prospective starship pilots, planted by embattled aliens under siege from an evil invader. When a restless teenager (Lance Guest) racks up an impressive score, he finds himself spirited away to the besieged planet and thrust into the midst of an intergalactic war. Apart from Castle's skill at contrasting his extraterrestrial settings with the mundane details of his hero's earthbound life, the movie gets lift-off from two thorough pros, Robert Preston, who makes the alien recruiter, Centauri, a planet-hopping cousin to "The Music Man"'s Harold Hill, and Dan O'Herlihy, the alien copilot, who suggests a scaly Walter Brennan. Older fans will snicker, but kids and young teens will find this rite of passage absorbing, while their folks will savor Preston's brash charm. "--Sam Sutherland"


 

The Legend of Bagger Vance

Director: Robert Redford
Starring: Will Smith, Matt Damon, Charlize Theron, Bruce McGill, Joel Gretsch
Genre: Drama
Rated: PG-13
My Rating:
IMDB Rating: 6.3 (12,143 votes)
Duration: 127
Release: Apr 2001
# of Discs: 1
UPC: 9780783245393
Purchased On:
Summary: "The Legend of Bagger Vance" doesn't break any new ground, but with Steven Pressfield's inspirational novel to guide them, director Robert Redford and screenwriter Jeremy Leven have tilled fertile soil with a graceful touch. Redford does for golf what "A River Runs Through It" did for fly-fishing: the sport is a conduit for a philosophy of living, and Redford achieves the small miracle of making golf a central metaphor that's visually compelling.
Set in Savannah, Georgia, during the early '30s, the story charts the redemption of disillusioned World War I veteran and former golf champion Rannulph Junuh (Matt Damon), who emerges from self-imposed obscurity in an exhibition match against legendary golfers Bobby Jones (Joel Gretsch) and Walter Hagen (Bruce McGill). Having earlier abandoned the socialite (Charlize Theron) who has organized the tournament to promote her late father's spectacular golf resort, Junuh now depends on the support of a young fan (perfectly cast newcomer J. Michael Moncrief) and the mysterious Bagger Vance (Will Smith), a smiling Jiminy Cricket who serves as Junuh's caddy, golf guru, and Socratic angel of mercy.
As Junuh regains the "authentic swing" he feared was lost forever, Redford guides his splendid cast through a spiritual journey that is specific to the discipline of golf and yet potently universal. As always, Redford also conveys his respect for nature and the rhythms of life as well as a sweet nostalgia for simpler times and purer values. With the casting of Jack Lemmon as the film's present-day narrator and elderly version of Moncrief's character, "The Legend of Bagger Vance" gains even greater dignity and, indeed, the glowing aura of legend. "--Jeff Shannon"


 

Leon - The Professional

Director: Luc Besson
Starring: Jean Reno, Gary Oldman, Natalie Portman, Danny Aiello, Peter Appel
Genre: Action & Adventure
Rated: Unrated
My Rating:
IMDB Rating: 8.6 (101,710 votes)
Duration: 133
Release: Jan 2005
# of Discs: 1
UPC: 9781404972926
Purchased On:
Summary: Luc Besson ("The Fifth Element") made his American directorial debut with this stylized thriller about a French hit man (Jean Reno) who takes in an American girl (Natalie Portman) being pursued by a corrupt killer cop (Gary Oldman). Oldman is a little more unhinged than he should be, but there is something genuinely irresistible about the story line and the relationship between Reno and Portman. Rather than cave in to the cookie-cutter look and feel of American action pictures, Besson brings a bit of his glossy style from French hits "La Femme Nikita" and "Subway" to the production, and the results are refreshing even if the bullets and explosions are awfully familiar. "--Tom Keogh"


 

Life as a House

Director: Irwin Winkler
Starring: Kevin Kline, Kristin Scott Thomas, Hayden Christensen, Jena Malone, Mary Steenburgen
Genre: Drama
Rated: R
My Rating:
IMDB Rating: 7.4 (12,859 votes)
Duration: 124
Release: Mar 2002
# of Discs: 1
UPC: 9780780637603
Purchased On:
Summary: A respectable tearjerker, "Life as a House" is a welcome throwback to angst-ridden family dramas like "Ordinary People" and "Terms of Endearment". It falls short of those modern classics, but you'll probably still need Kleenex if you appreciate Kevin Kline's underrated dramatic skills. As the title suggests, Kline's project is a broad metaphor for repairing damaged lives from the foundation up. Playing an architect with terminal cancer, he gives an Oscar®-caliber performance, reaching out to his estranged, nihilistic son (future "Star Wars" star Hayden Christensen) and ex-wife (Kristin Scott-Thomas) as he wrecks and rebuilds the Malibu cliff-top home that contained his most painful memories. Director Irwin Winkler's flair with actors helps to minimize lapses in a script (by "As Good As It Gets" scribe Mark Andrus) that occasionally borders on maudlin. Overall, this is a fine reminder that Hollywood hasn't lost its soul to action and special effects. "--Jeff Shannon"


 

Life Is Beautiful

Director: Roberto Benigni
Starring: Roberto Benigni, Nicoletta Braschi, Giorgio Cantarini, Giustino Durano, Sergio Bini Bustric
Genre: Art House & International
Rated: PG-13
My Rating:
IMDB Rating: 8.4 (61,662 votes)
Duration: 116
Release: Nov 1999
# of Discs: 1
UPC: 9780788816208
Purchased On:
Summary: Italy's rubber-faced funnyman Roberto Benigni accomplishes the impossible in his World War II comedy "Life Is Beautiful": he shapes a simultaneously hilarious and haunting comedy out of the tragedy of the Holocaust. An international sensation and the most successful foreign language film in U.S. history, the picture also earned director-cowriter-star Benigni Oscars for Best Foreign Language Film and Best Actor. He plays the Jewish country boy Guido, a madcap romantic in Mussolini's Italy who wins the heart of his sweetheart (Benigni's real-life sweetie, Nicoletta Braschi) and raises a darling son (the adorable Giorgio Cantarini) in the shadow of fascism. When the Nazis ship the men off to a concentration camp in the waning days of the war, Guido is determined to shelter his son from the evils around them and convinces him they're in an elaborate contest to win (of all things) a tank. Guido tirelessly maintains the ruse with comic ingenuity, even as the horrors escalate and the camp's population continues to dwindle--all the more impetus to keep his son safe, secure, and, most of all, hidden. Benigni walks a fine line mining comedy from tragedy and his efforts are pure fantasy--he accomplishes feats no man could realistically pull off--both of which have drawn fire from a few critics. Yet for all its wacky humor and inventive gags, "Life Is Beautiful" is a moving and poignant tale of one father's sacrifice to save not just his young son's life but his innocence in the face of one of the most evil acts ever perpetrated by the human race. "--Sean Axmaker"


 

Little Miss Sunshine

Director: Jonathan Dayton, Valerie Faris
Starring: Abigail Breslin, Greg Kinnear, Paul Dano, Alan Arkin, Toni Collette
Genre: Comedy
Rated: R
My Rating:
IMDB Rating: 8.2 (64,760 votes)
Duration: 103
Release: Dec 2006
# of Discs:
UPC: 0024543403319
Purchased On:
Summary: Pile together a blue-ribbon cast, a screenplay high in quirkiness, and the Sundance stamp of approval, and you've got yourself a crossover indie hit. That formula worked for "Little Miss Sunshine", a frequently hilarious study of family dysfunction. Meet the Hoovers, an Albuquerque clan riddled with depression, hostility, and the tattered remnants of the American Dream; despite their flakiness, they manage to pile into a VW van for a weekend trek to L.A. in order to get moppet daughter Olive (Abigail Breslin) into the Little Miss Sunshine beauty pageant. Much of the pleasure of this journey comes from watching some skillful comic actors doing their thing: Greg Kinnear and Toni Collette as the parents (he's hoping to become a self-help authority), Alan Arkin as a grandfather all too willing to give uproariously inappropriate advice to a sullen teenage grandson (Paul Dano), and a subdued Steve Carell as a jilted gay professor on the verge of suicide. The film is a crowd-pleaser, and if anything is a little too eager to bend itself in the direction of quirk-loving Sundance audiences; it can feel forced. But the breezy momentum and the ingenious actors help push the material over any bumps in the road.-- "Robert Horton"


 

The Lord of the Rings - The Fellowship of the Ring

Director: Peter Jackson
Starring: Alan Howard, Noel Appleby, Sean Astin, Sala Baker, Sean Bean
Genre: Action & Adventure
Rated: PG-13
My Rating:
IMDB Rating: 8.7 (246,510 votes)
Duration: 208
Release: Nov 2002
# of Discs: 4
UPC: 9780780638471
Purchased On:
Summary: Not seen in theaters, this unique version of the epic adventure features over 30 minutes of new and extended scenes integrated into the film by the director.


 

The Lord of the Rings - The Two Towers

Director: Peter Jackson
Starring: Bruce Allpress, Sean Astin, John Bach, Sala Baker, Cate Blanchett
Genre: Action & Adventure
Rated: PG-13
My Rating:
IMDB Rating: 8.7 (200,045 votes)
Duration: 223
Release: Nov 2003
# of Discs: 4
UPC: 9780780644045
Purchased On:
Summary: The extended edition of "The Lord of the Rings: The Fellowship of the Ring" was perhaps the most comprehensive DVD release to date, and its follow-up proves a similarly colossal achievement, with significant extra footage and a multitude of worthwhile bonus features. The extended version of "The Two Towers" adds 43 minutes to the theatrical version's 179-minute running time, and there are valuable additions to the film. Two new scenes might appease those who feel that the characterization of Faramir was the film's most egregious departure from the book, and fans will appreciate an appearance of the Huorns at Helm's Deep plus a nod to the absence of Tom Bombadil. Seeing a little more interplay between the gorgeous Eowyn and Aragorn is welcome, as is a grim introduction to Eomer and Theoden's son. And among the many other additions, there's an extended epilogue that might not have worked in the theater, but is more effective here in setting up "The Return of the King". While the 30 minutes added to "The Fellowship of the Ring" felt just right in enriching the film, the extra footage in "The Two Towers" at times seems a bit extraneous--we "see" moments that in the theatrical version we had been told about, and some fleshed-out conversations and incidents are rather minor. But director Peter Jackson's vision of J.R.R. Tolkien's world is so marvelous that it's hard to complain about any extra time we can spend there.
While it may seem that there would be nothing left to say after the bevy of features on the extended "Fellowship", the four commentary tracks and two discs of supplements on "The Two Towers" remain informative, fascinating, and funny, far surpassing the recycled materials on the two-disc theatrical version. Highlights of the 6.5 hours' worth of documentaries offer insight on the stunts, the design work, the locations, and the creation of Gollum, and--most intriguing for rabid fans--the film's writers (including Jackson) discuss why they created events that weren't in the book. Providing variety are animatics, rough footage, countless sketches, and a sound-mixing demonstration. Again, the most interesting commentary tracks are by Jackson and writers Fran Walsh and Philippa Boyens and by 16 members of the cast (eight of whom didn't appear in the first film, and even including John Noble, whose Denethor character only appears in this extended cut). The first two installments of Peter Jackson's trilogy have established themselves as the best fantasy films of all time, and among the best film trilogies of all time, and their extended-edition DVD sets have set a new standard for expanding on the already-epic films and providing comprehensive bonus features. "--David Horiuchi"


 

The Lord of the Rings - The Return of the King

Director: Peter Jackson
Starring: Noel Appleby, Alexandra Astin, Sean Astin, David Aston, John Bach
Genre: Action & Adventure
Rated: PG-13
My Rating:
IMDB Rating: 8.8 (209,741 votes)
Duration: 250
Release: Dec 2004
# of Discs: 4
UPC: 9780780646537
Purchased On:
Summary: The greatest trilogy in film history, presented in the most ambitious sets in DVD history, comes to a grand conclusion with the extended edition of "The Lord of the Rings: The Return of the King". Not only is the third and final installment of Peter Jackson's adaptation of the works of J.R.R. Tolkien the longest of the three, but a full 50 minutes of new material pushes the running time to a whopping 4 hours and 10 minutes. The new scenes are welcome, and the bonus features maintain the high bar set by the first two films, "The Fellowship of the Ring" and "The Two Towers".
What's New?
One of the scenes cut from the theatrical release but included here, the resolution of the Saruman storyline, generated a lot of publicity when the movie opened, as actor Christopher Lee complained in the press about losing his only appearance. It's an excellent scene, one Jackson calls "pure Tolkien," and provides better context for Pippin to find the wizard's palantir in the water, but it's not critical to the film. In fact, "valuable but not critical" might sum up the "ROTK" extended edition. It's evident that Jackson made the right cuts for the theatrical run, but the extra material provides depth and ties up a number of loose ends, and for those sorry to see the trilogy end (and who isn't?) it's a welcome chance to spend another hour in Middle-earth. Some choice moments are Gandalf's (Ian McKellen) confrontation with the Witch King (we find out what happened to the wizard's staff), the chilling Mouth of Sauron at the gates of Mordor, and Frodo (Elijah Wood) and Sam (Sean Astin) being mistaken for Orc soldiers. We get to see more of Éowyn (Miranda Otto), both with Aragorn and on the battlefield, even fighting the hideously deformed Orc lieutenant, Gothmog. We also see her in one of the most anticipated new scenes, the Houses of Healing after the battle of the Pelennor Fields. It doesn't present Aragorn (Viggo Mortensen) as a savior as the book did, but it shows the initial meeting between Éowyn and Faramir (David Wenham), a relationship that received only a meaningful glance in the theatrical cut.
If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do.
And for those who complained, no, there are no new endings, not even the scouring of the Shire, which many fans were hoping to see. Nor is there a scene of Denethor (John Noble) with the palantir, which would have better explained both his foresight and his madness. As Jackson notes, when cuts are made, the secondary characters are the first to go, so there is a new scene of Aragorn finding the palantir in Denethor's robes. Another big difference is Aragorn's confrontation with the King of the Dead. In the theatrical version, we didn't know whether the King had accepted Aragorn's offer when the pirate ships pulled into the harbor; here Jackson assumes that viewers have already experienced that tension, and instead has the army of the dead join the battle in an earlier scene (an extended cameo for Jackson). One can debate which is more effective, but that's why the film is available in both versions. If you feel like watching the relatively shorter version you saw in the theaters, you can. If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do.
How Are the Bonus Features?
To complete the experience, "The Return of the King" provides the same sprawling set of features as the previous extended editions: four commentary tracks, sharp picture and thrilling sound, and two discs of excellent documentary material far superior to the recycled material in the theatrical edition. Those who have listened to the seven hours of commentary for the first two extended editions may wonder if they need to hear more, but there was no commentary for the earlier "ROTK" DVD, so it's still entertaining to hear Jackson break down the film (he says the beacon scene is one of his favorites), discuss differences from the book, point out cameos, and poke fun at himself and the extended-edition concept ("So this is the complete full strangulation, never seen before, here exclusively on DVD!"). The documentaries (some lasting 30 minutes or longer) are of their usual outstanding quality, and there's a riveting storyboard/animatic sequence of the climactic scene, which includes a one-on-one battle between Aragorn and Sauron.
One DVD Set to Rule Them All
Peter Jackson's trilogy has set the standard for fantasy films by adapting the Holy Grail of fantasy stories with a combination of fidelity to the original source and his own vision, supplemented by outstanding writing, near-perfect casting, glorious special effects, and evocative New Zealand locales. The extended editions without exception have set the standard for the DVD medium by providing a richer film experience that pulls the three films together and further embraces Tolkien's world, a reference-quality home theater experience, and generous, intelligent, and engrossing bonus features. "--David Horiuchi"


 

Lost in Translation

Director: Sofia Coppola
Starring: Scarlett Johansson, Bill Murray, Akiko Takeshita, Kazuyoshi Minamimagoe, Kazuko Shibata
Genre: Comedy
Rated: R
My Rating:
IMDB Rating: 7.9 (81,683 votes)
Duration: 102
Release: Feb 2004
# of Discs: 1
UPC: 9780783297804
Purchased On:
Summary: Like a good dream, Sofia Coppola's "Lost in Translation" envelops you with an aura of fantastic light, moody sound, head-turning love, and a feeling of déjà vu, even though you've probably never been to this neon-fused version of Tokyo. Certainly Bob Harris has not. The 50-ish actor has signed on for big money shooting whiskey ads instead of doing something good for his career or his long-distance family. Jetlagged, helplessly lost with his Japanese-speaking director, and out of sync with the metropolis, Harris (Bill Murray, never better) befriends the married but lovelorn 25-year-old Charlotte (played with heaps of poise by 18-year-old Scarlett Johansson). Even before her photographer husband all but abandons her, she is adrift like Harris but in a total entrapment of youth. How Charlotte and Bill discover they are soul mates will be cherished for years to come. Written and directed by Coppola ("The Virgin Suicides"), the film is far more atmospheric than plot-driven: we whiz through Tokyo parties, karaoke bars, and odd nightlife, always ending up in the impossibly posh hotel where the two are staying. The wisps of bittersweet loneliness of Bill and Charlotte are handled smartly and romantically, but unlike modern studio films, this isn't a May-November fling film. Surely and steadily, the film ends on a much-talked-about grace note, which may burn some, yet awards film lovers who "always had Paris" with another cinematic destination of the heart. "--Doug Thomas"


 


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